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January 29, 2005

Doing visual pushups

I’ve been inspired by Jay Maisel (via Epson Online Experience) to do visual pushups each day. He suggests not only bringing your camera with you everywhere, but also setting aside time daily to just photograph anything. This recommendation goes along with advice by Elliott Erwitt that I had recently read: that you will improve only by keeping working. So, I’m going to give it a go.

Of course, I’ve tried this before and failed to get through an entire week. Looking back, I had all kinds of avoidable reasons excuses:

  • I assigned too much meaning to it. Once, inspired by Robert Hume Kennerly’s book Photo du Jour, I tried to keep a photographic journal. Each day I would to create a photograph that represented my day; a visual document of my existence. So, it had to have meaning. It had to have importance. It had to be good. So, I never took a picture. My expectations were too high - it’s just practice after all. I’d hardly expect that each of Yo Yo Ma’s daily practice sessions could become a platinum selling CD. There’s a difference between grandiose and just screwing around.
  • I procrastinated. Have you watched this movie yet? Have you gotten sick of me mentioning it?
  • I invented creative barriers. “The light sucks.” “I don’t feel creative.” “It’s raining so nobody’s going to be outside.” These are all excuses. As zen-master photographer Mike Manzano often told me, you have to look at your disadvantages creatively and turn them into advantages. Plus, I live in Seattle - time to get used to the rain.
  • I invented technical barriers. “It’s sunny out and I’ve got a pushed roll of 1600 in the camera.” “I don’t think anything’s going to be good, I should shoot digitally but I don’t have a good digital camera.” “I don’t want to carry around all those lenses.” (Maisel’s got a great antidote to this: “As soon as I looked through the lens, I realized I wanted the other lens back. But that’s always what happens.”). Similar to the creative barriers, these are just excuses. A camera is a dark box with a hole in it and a bit of glass. That’s all it is. It’s the art of wrapping a frame around something in the real world and knowing precisely when to snap that frame. I don’t need all the fancy gear to do that.
So, I’ll keep all this in mind and take another shot. For this first trial week, I’ll try to update this post with my favorite pics. Well, the ones I shoot digitally, that is. Chemical pics, like those I shot today, to come later.

I suppose it’s more bloggish to do separate postings for each, but my brain is overly hierarchical after 15 years in the computer industry and blogs don’t lend themselves to nesting…

Update: Couldn’t resist:

Update: I’ve decided to put daily pics up on Flickr instead of continuously updating this post. Click me.

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Listed below are links to weblogs that reference Doing visual pushups:

» Followup: Visual Pushups from Impulse
I'm proud to say I've been doing my visual pushups for almost three weeks now, photographing something almost every day. (Unfortunately, I haven't been so as disciplined about getting the results of those pictures up on my flickr stream) It's... [Read More]

» The last darkroom in America from Impulse
I am building what may very well be the last darkroom ever built. Why would I build a darkroom in this digital world, where most professionals have moved away from film? I do it because darkroom work is tangible and... [Read More]

» Lenswork podcasts from Impulse
Lenswork is an excellent photography magazine. Not a photography gear magazine nor a photography technique magazine, Lenswork is a magazine exclusively about photographs and the experience of making photos. Their reproductions are fabulous, with 2-3 po... [Read More]

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I don't know what a URL is...anyway, Cathrine loved the photo and so do I. Makes me smile.

Awww, gee, shucks. Thanks, Mom!

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About me

is a storyteller, freelance writer, and occasional filmmaker living in Seattle.

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