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August 19, 2008

Amanda Koster: Can I Come with You?

amanda-coverSpeaking of new works of art, my friend Amanda Koster is coming out with her first book next month.  By day, Amanda is a full-time assignment photographer. She dedicates the rest of her time to social documentary (and cooking fabulous meals). This book, made up of her photographs and personal journal entries, describes how everyone use their creative talents to change the world. 

I love Amanda’s work — in fact, I have at least 7 of her photos hanging in my house right now — more than any other photographer (including me!). 

Amanda’s book is available for presale at her publisher’s web site.  She’s also having a lecture & signing on September 18.  Those who buy a ticket get a free book (or, if you prefer, you get a free ticket for buying the book).  Either way, go here right now to buy one or the other.  I’ve already got my order in.

September 13, 2007

A good little photography blog

Just got a tip from Strobist (an excellent photography blog in its own right). A Little News is written by a photojournalist of a small market newspaper in Alabama. Looks like some interesting stuff on the whys and creative forces behind taking photos (i.e. not much tech).

For example, he’s got an interesting series called The Ethics of Misery - about the ethics of shooting scenes of misery - death, funerals, etc. Or Seven Ways to Get Happy and Stay Happy - suggestions for having a good mindset when shooting. All good stuff.

October 18, 2006

Camerawork and editing RAAM

Team OC QuattroI’ve finally gotten back into editing the RAAM video in earnest. While doing so, I came across some clips that illustrate some of the points from my series on video vs stills.

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September 28, 2006

Solarize me, baby

Solarized Magnuson ParkI used to think that solarization was just some goofy technique photographers used to show how cool they are in the darkroom. (The process of generating these in a darkroom is tedious and difficult on a good day). Then, Ron Hammond said something clever while presenting Forgotten but not Gone, “Solarization is wonderful when the image is all about shape.” A light went off in my head.

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September 14, 2006

Video vs still photography, pt 4

Video vs stillLet’s take a look at the ways that the temporal nature of film changed the ways I work.

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September 13, 2006

Video vs still photography, pt 3

Enough with the technical, on to aesthetics!

Artists compose images using the elements of light, color, geometry, perspective, depth of field, and frame placement. This is true of all visual arts including still photography and video / film. Video and film have one additional, unique element: time. It seems obvious: movies, move; pictures don’t, however, I’m finding it’s really much more subtle than that.

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September 06, 2006

Old work made new

I have been asked to review the past several years of photographic work and to choose 10 photos to publish in a book my photography group is putting together. I had been holding off as I’m not really interested in a book, but today to give it a whirl. Choosing only 10 images from several years of work is a great exercise. It forces me to make a lot of decisions about what I really like most in my work. It also shows me how my tastes have changed - or stayed the same - over time. Finally, it’s an interesting Rorschach test - I never know what patterns will turn up.

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August 23, 2006

Video vs still photography, pt 2

duelling camerasLast time, I described a few technical differences that make video more difficult than stills. Video has a curious advantage over still photography, though: Because there’s less you can control in video and because the medium is inherently lower quality, videographers tend to be less technically fanatical than still photographers. Videographers understand “close enough”, thus freeing their mind for more creative things.

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August 22, 2006

Video vs still photography, pt 1

When I first started doing video, I thought it would be an easy transition from still photography. They both capture light through a lens, iris, and shutter. One moves; the other doesn’t. That’s no big difference, right? Wrong. I’ve been surprised by how very different these two media are. I’ll be detailing these differences in a series of upcoming posts. For now, let’s start with some technical differences.

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August 20, 2006

Published again! My commercial video online

Definition Fitness video stillAmidst editing RAAM footage and hopping between continents, I flew down to California to shoot a video for one of my brother’s clients. It was a great exercise in improvisation with tricky lighting and echo-chamber-like accoustics. Still, we were incredibly productive, doing 8 completely independent setups in 7.5 hours. I also had a lot of fun working with my brother. Have a look at the Definition Fitness web site to see video.

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February 08, 2006

The camera doesn't matter. No, really.

A camera is nothing more than a rectangle and a little thing that records where you put the rectangle. That’s it. The true art of photography is figuring out where & when to place that rectangle. It doesn’t matter if it’s film or digital, 35mm, 6x9, or 12Mpix. I know this. Yet, sometimes, I allow myself to be seduced by the gear. Gotta stop that.

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January 19, 2006

Lenswork podcasts

Lenswork is an excellent photography magazine. Not a photography gear magazine nor a photography technique magazine, Lenswork is a magazine exclusively about photographs and the experience of making photos. Their reproductions are fabulous, with 2-3 portfolios in each issue to peruse. Brooks Jensen’s editorials are often inspiring or thought provoking (his latest on pricing photos ignited a two week discussion in my photo group). Every issue includes either an interview with, or essay about a photographer - again focusing more on the artistic motivations of the photographer than his favorite button in Photoshop. If you’re a photographer, it’s worth checking out.

But that’s not what I want to tell you about. What’s cool is that they’ve got a podcast. (I know: trendy). I’ve plugged their podcast into bloglines and found that it’s well worth the time. Like the magazine, it’s more about the process than the tools. Here are some of my favorites:

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September 13, 2005

This fully operational darkroom

No drips. No sparks. No light leaks. The Last Darkroom in America is finally open for business.

Ever notice that any home project takes at least three visits to Home Depot to get done? Three. Per day. No matter how much you plan, you will end up finding one more thing you need, or the part you bought isn’t right, or that you really did want the high power model after all. Your return is inevitable. Predestined. Personally, I think they put something in the ventilation system…

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July 29, 2005

Learn from the master

You can learn a lot by imitating great art.

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February 28, 2005

Oops

One of the advantages of digital is that you can’t accidentally double-expose a roll and loose a bunch of images. One of the disadvantages of digital is that you can’t accidentally double-expose a roll and get some really cool, trippy stuff.

Guess what I did

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February 18, 2005

Followup: Visual Pushups

I’m proud to say I’ve been doing my visual pushups for almost three weeks now, photographing something almost every day. (Unfortunately, I haven’t been so as disciplined about getting the results of those pictures up on my flickr stream) It’s been very fun. Here’s what I’ve learned so far (in no particular order):

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February 08, 2005

The last darkroom in America

I am building what may very well be the last darkroom ever built. Why would I build a darkroom in this digital world, where most professionals have moved away from film? I do it because darkroom work is tangible and because it improves my work in general.

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January 29, 2005

Doing visual pushups

I’ve been inspired by Jay Maisel (via Epson Online Experience) to do visual pushups each day. He suggests not only bringing your camera with you everywhere, but also setting aside time daily to just photograph anything. This recommendation goes along with advice by Elliott Erwitt that I had recently read: that you will improve only by keeping working. So, I’m going to give it a go.

Of course, I’ve tried this before and failed to get through an entire week. Looking back, I had all kinds of avoidable reasons excuses:

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About me

is a storyteller, freelance writer, and occasional filmmaker living in Seattle.

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