Seeing colors
I just spent 2.5 hours color balancing 6.25 minutes of my movie. At this rate, I only have 27 more hours to go - and then I get to do the audio. Wheee! Looks a whole lot better, though.
I just spent 2.5 hours color balancing 6.25 minutes of my movie. At this rate, I only have 27 more hours to go - and then I get to do the audio. Wheee! Looks a whole lot better, though.
I hereby declare picture for my first documentary film, LOCKED! Sure, it took 2 years, 1 month, and 28 days to complete the story edit, but hey, who’s counting, right? It got done and that’s all that matters. Now on to the technical dotting of the i’s and crossing the t’s: mastering the audio tracks, completing the titles and bottom-thirds ("bottom thirds" are the text & graphics that pop up at the bottom of your screen, used ridiculously often in news programs), color balancing and visual polish, and music.
For the end credits, I’m planning on using some music written by my friend John Pilafidis, to which this film and the race in the film, are dedicated. The song’s intro is a little long, but I’ve got John’s master files. Always wanted to learn how to edit music…
I want to thank all of my friends who gave me feedback through the editing process. Your feedback made this a much, much better film. Thanks Amanda, Karen, Becky, Linda, Mike, Will, Susan, Helen, Bernie, Laurie, Tom, Marisa, Mark, and Harvey.
I’m bouncing off the walls with excitement! I’ve just showed my last cut of the RAAM movie to 5 people and they all loved it. Those who’d seen it before thought it was surprisingly better than previous cuts. (One said, "this is a completely different movie") I’ve just a few minor tweaks based on feedback, and I’ll be set for Picture Lock by the end of the day tomorrow. That puts me solidly on a path to FINISHING THIS MOVIE by the end of the month. I’m very proud of how it’s turning out. It’s much better than I expected.
After working on this project for over two years, it’s time to call this thing done. At the end of this month, I will declare this movie - in whatever state it’s in - done. That means I’m shooting for picture lock this Sunday. (Picture lock is when I’ve stopped editing the sequence of edits, and moved on to things like sound mastering, titles, and color balance). I’ve made some major edits based on test screenings and watching the raw footage over again (incredibly valuable). Benjamin Zander’s description of musical phrasing, and the structure of Samuel Barber’s Adaggio for Strings have also provided great inspiration. Look for more news in the next few weeks.
Meanwhile, try what I did this weekend: unplug the internet. I think I gained at least 3 hours per day doing that. Hmmm… Probably need to do it right now…
“A poem is never finished, only abandoned” - Paul ValeryMany have generalized this quote to apply to all artistic endeavors. On a video for current.tv, Ira Glass pointed out that all artists have excellent taste. They have a clear taste or vision of what work in a particular medium could be, and they create because they are driven to demonstrate that taste. But, there’s often a gap between the artist’s taste and his skill level. That gap causes endless frustration, and in part gets to the phenomenon behind the above quote. Often, an artist’s taste exceeds his skill (or materials), thus can never finish a particular work; only abandon it and move on to the next project.
Continue reading "To finish or to abandon: that is the question"
I just finished the first complete assembly of my RAAM documentary. Heck, I’ll even call it the official 1st rough cut. It only took me a year and a half, but hey, I made it this far, and that’s farther than I would’ve guessed a while back. In a few days, I’ll watch it from start to finish for the first time to see if it makes any sense. After a few tweaks, I’ll unleash it on my unsuspecting friends. Bwahh, ha hah!!
It’s amazing how this job thing really cuts into one’s schedule! I’m getting used to my new employment schedule, so I was able to resume editing last week. Look for more clips in the next few weeks.
I still don’t have a concrete outline of the story, but I do have a nebulous idea knocking around my head. I can see several of the key scenes, how to assemble each scene, and how several relate to each other. I’m a stickler for structure, though, so I still feel the need to have a single thesis to hang it all off of.
In the meantime, enjoy this little clip. While reviewing the footage, I took a few still frames from each segment as a form of visual note taking. On a lark, I chained all 341 of them together at 1 second a piece. Just sit back and let it wash over you. Leave a comment with your impression - I’m entirely curious about how those impressions correlate with mine.
When I finished filming RAAM, I thought it was a dismal failure. On top of being sick, I had allowed myself to be made crew chief of the rider’s team part way through the race, knowing that I’d have to give up shooting. The first two thirds of my footage are only from the first third of the race. I thought I had missed all kinds of story elements - especially the competition with the Brazilian team which egged our team on through so much of the race. I have to admit that this cynicism is a big reason why I procrastinated on editing it.
Now that I’m re-reviewing it all one year later, I see that there’s plenty of stuff here - including bits about the Brazilians. It’s mostly people talking about it instead of showing it, but it’s there. It’s amazing what a little space in time and in emotion. (And, thanks to friend and documentary photographer Amanda Koster for giving me the appropriate kick in the butt about keeping an optimistic attitude)
Of course, this also shows how tough it can be as a one-man film crew. Had I gone to the front of the motor home to film, I probably would’ve missed some of these little interesting bits. But maybe there was also some interesting bits in the front of the van. Who knows? You can’t let yourself get caught up in that mind game. It’s like still photographers grieving over the shot that got away while changing lenses.
We’re coming up on the one year anniversary of the start of the race. I think that’s as good an excuse as any to get finished on this movie. I’ve left it languishing while I worked on a startup. This month, I’m letting the startup go and will focus on editing until it’s done.
Since it’s been six months since I last looked at any of this, I’ve spent the last few days reviewing footage. This time, though, I’m being a little more exploratory about it - meandering from one clip to another instead of going through them in sequence. Meanwhile, I’m doing radio-style logs (See the This American Life comic book on the subject) including visual notes and representative stills from the video stream. I print these out, thus I can sift and edit very quickly on paper. Looks promising, but we’ll see how useful it ends up being.
I’m still cranking through the footage I shot of RAAM, reviewing and categorizing it. It’s much more intense work than it sounds as I’m watching and listening very closely while making notes, tagging footage, thinking of all the possible story lines and where each clip fits, all while trying to tune in to the subtext of the scene - what behaviors are they demonstrating, what’s going unsaid, how do they feel, etc. And there’s no fast forwarding. I have to watch all 20 minutes of a biker’s butt riding ahead of us because something might be said or someone might do something interesting. Even the boring bits demand my full attention - even more because they’re dull. I’ve been averaging about 1-1.5 hours a session before my brain turns to jello, and only about 3 of these per day. It’s easily one of the most focused things I’ve done in a while.
The interesting thing is that as we’re nearing the end of the race, and as the racers are realizing they’re closer to the end than the beginning, I too am getting psyched. I find myself pushing to do just one more tape because it gets me that much closer to the finish line. I’m more focused, able to push each session towards 2 hours or more. Today, I realized that I’m going to finish this stage of editing this weekend - just as I watched the racers get ready for their last 24 hours of the race. Synchronicity or unconscious design?
I’ve finally gotten back into editing the RAAM video in earnest. While doing so, I came across some clips that illustrate some of the points from my series on video vs stills.
I used to think that solarization was just some goofy technique photographers used to show how cool they are in the darkroom. (The process of generating these in a darkroom is tedious and difficult on a good day). Then, Ron Hammond said something clever while presenting Forgotten but not Gone, “Solarization is wonderful when the image is all about shape.” A light went off in my head.
Amidst editing RAAM footage and hopping between continents, I flew down to California to shoot a video for one of my brother’s clients. It was a great exercise in improvisation with tricky lighting and echo-chamber-like accoustics. Still, we were incredibly productive, doing 8 completely independent setups in 7.5 hours. I also had a lot of fun working with my brother. Have a look at the Definition Fitness web site to see video.
Continue reading "Published again! My commercial video online"
Pretty full day of shooting today. Out the door at 8:15, I taped some of the guys getting together for a ride, then followed their ride from the back of the Ford. Shot some establishing coverage in the early afternoon. Finished off the shoot catching the rest of Team OC Quattro hanging out at a “sag station” at the end of a race. I’m starting to get used to the setup.
Now, I’m spent. I’m going to have to figure out some way of training up for this race like the riders do - Maybe endurance interviewing…
Today was my first day shooting my documentary. There’s no better way to appreciate the mastery of veteran filmmakers than to try to make a film yourself. Those really cool shots filmed from a vehicle driving along side a bicyclist - looks easy, right? Hard. Especially when your vehicle is not a motorcycle like ESPN uses, but is a Ford Explorer driving through tiny suburban streets.
This June, I’ll be shooting my first documentary, recording the journey of a friend and three of his buddies riding their bikes from sea to shining sea for charity. Riding in relay 24/7, Team OC Quattro (as they call themselves) will start in Oceanside, CA on June 8 and will roll in to Atlantic City, NJ around eight days later. It’s going to be a great adventure for all of us and a huge learning experience for me.
From my anonymous distance,
I’ve cursed you.
I’ve damned you.
I’ve sentenced you to endless, gruesome tortures
For your crimes against me,
against ordinary people like me.
All I did was click on a pdf and
Your dark plan took action.
Your cruel warez updated;
My disks thrashing in agony.
Then, stillness returned and with it,
the promise
of quiet productivity
and peaceful creativity.
Yet your sinister design had not completed.
Your most hateful crime yet to come.
You, in your thoughtless negligence demanded
My hope and patience be undone.
Rather than slip silently into shadows,
Vile Programmer
you cast a vicious spell.
You prompted me to reboot.
May you forever burn in hell.
A daft friend of mine is silly enough to be working today. On a holiday. One of the few holidays that nearly everyone observes. On work she hates. Silly girl.
I thoroughly made fun of her in email. She just wrote to say she’s leaving her desk to do some exercises in the empty halls. Being a silly and visual guy, a scene immediately lept to mind:
Doing creative things is fun and all, but sharing them is even better. So, for your enjoyment and mine, I’m going to start publishing my short stories on a semi-regular basis on this site. I’ve also created a second blog, Impulse: The Works, as a box for stories, screenplays, and other work - sort of an automatic anthology.
With that, here is the first story: “Natiki”. I hope you like it. I abolutely love comments and feedback.
The University of Washington College of Arts and Sciences newsletter has published several of my pictures on the making of the movie At the Back of the North Wind. The article describes this cool film project - a summer class with only one assignment: to make a feature film. UW’s DXARTS department, which sponsored the film, is a program combining engineering with artmaking. Too bad it didn’t exist when I was in school…
I’ve gotta say: I still get a kick out of seeing the phrase, “All photos by Rob McKaughan”.
The 35th Street Mission is hitting the airwaves! This project is at the vanguard of a growing independent TV movement (much like independent film in the 90s), and the first production I worked on since leaving the tech world. I served as 1st Assistant Director on this episode, which allowed me to really get a feel for what an AD does on a set (slave-driver; I mean stage management). If you’re in the Seattle area, you can catch Episode 1 it at 8:00 PM on April 21 on Channel 77 (Comcast) or Channel 29 (Millennium). It will also be available online at the 35SM site.
Stay tuned for Episode 2 in which I make my directorial debut…
I had a terrible time heeding my alarm clock this morning. Slept an hour and a half later than I had intended. So, inspired by my inability to get out of bed, I composed this song to the tune of “Breaking up is hard to do”.
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